![]() Similarly, adjusting the design or pitch of a virtual drum makes a tonal difference that's impossible to replicate with EQ - and if you tune the drum to the key of the track it'll often blend better straight away, without the need for artificial reverb.īeyond changing the sounds themselves, you'll usually get some flexibility to rebalance those sounds within each of the software instrument's audio output channels. ![]() Your snare, for example, will sound a lot more natural if you increase its sustain using the software's built-in envelope controls, rather than trying to compress the snot out of it with down-stream plug-ins. The first thing to realise is that, with any software drummer, the mixing process should always start within the instrument interface itself - if any individual kit component doesn't sound quite the way you want it to, then reach for the software's own instrument controls before you start getting any other mix processing involved. Most such instruments also provide multi-channel outputs, a bit like the multiple mic channels of a real drum kit recording, but in practice you'll rarely get the best results at mixdown if you try to treat a virtual drummer just like a real one. Software instruments that can emulate live drumming are 10 a penny these days, and many come with libraries of MIDI parts that make programming a convincing performance a breeze. Do your virtual acoustic drum parts never seem to work in the context of a mix? Here's how to fashion more natural and compelling results. ![]()
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